Rear Window Film Review

Rear Window is one of the most retrospective movies Ive ever seen.

Rear window film review. Rear Window has a situation which promises intricacy and then fails to provide it. Jimmy Stewart is a magazine photographer who is stuck at home in a wheelchair with his leg up in a cast. Lighting is one such cue that he uses a lot - it is said that at. April 16 2020 The boorish but fascinating pastime of peeking into.

There are crucial moments in the film where he is clearly required to act and he delays not because he doesnt care what happens but because he forgets he can be an active player. Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrichs 1942 short story It Had to Be Murder. The men often leer at pretty women. When we watch Rear Window it is really us watching someone watch someone else.

Bosley Crowther New York Times. Like Rope this film is essentially a mixture of a theatrical base for the story and a cinematic game for thematic density. Rear Window sure does. To pass the time he people watches out his rear window and observes the daily actions of his neighbors.

He made great films before and after but Rear Window showed he could take a gimmick premise and transform it into a movie at once accessible to a mass audience and deep enough to be worth dozens. The cinematographic techniques employed in Rear Window are important ways of shaping our understanding of the film and Hitchcock uses a wide array of visual cues to communicate certain messages. Stewart immobilised in his. Originally released by Paramount Pictures the film stars James Stewart Grace Kelly Wendell Corey Thelma Ritter and Raymond BurrIt was screened at the 1954 Venice Film Festival.

Truly suspenseful and masterfully crafted Alfred Hitchcocks Rear Window is a masterpiece of thriller that is both parts witty and serious clever and entertaining and humor filled and fear. He is absorbed in a passive role. I personally think more highly of Vertigo but it is a minor distinction because I rated them both 1010. And all the while Hitchcock is sitting on the balcony and seeing our reaction.

In Rear Window Jeff is not a moralist a policeman or a do-gooder but a man who likes to look. They say that most of the great movies begin with a simple premise. Watching Rear Window recently I realised Stewarts voyeurism yielded another reward. Rear Window is a classic a masterpiece of filmmaking technique from a director who was a true pioneer of suspense.

Its impossible to study a Hitchcock film without considering how he impacted and manipulated its storytelling. Film and Plot Synopsis. And the film is set in an all-white urban neighborhood. He begins to notice odd behavior on the part of the couple across the way.

The man seems violent. The acting of the neighbors though small roles are done exceptionally well. Characters drink and smoke frequently. Newly restored to unfaded glory by the ace team of Robert A.

What stood out for me this time was the films panoramic view of romantic attachment and its pitfalls. Throughout the film there is a constant state of suspense that is aided by convincing performances from Jimmy. As usual it evolves from one brilliantly plain idea. In a span of two hours it examines some of the most recurrent themes in film.

Rear Window is an absolute masterpiece. That entails being vulnerable and candid transparent even so others feel comfortable entering into your life. In Conclusion Far from peering in at other people and staying anonymous it seems like it involves reaching out to others. Alfred Hitchcock is well known for his ability to make entire films out of one room and no film exemplifies this better than Rear Window.

Rear Window directed by Alfred Hitchcock in 1954 does the job brilliantly just catch the films current national re-release. James Stewart never disappoints and his acting in this film is extremely compelling. Jake Horvitzs review published on Letterboxd. Of all Hitchcocks films this is the one which most reveals the man.

Something thats important in this film is the disconnect between all the neighbors. The acting in this film is totally on par. Rear Window occupies a middle ground for Hitchcock between the experiment of 1948s Rope and the mastery of 1958s Vertigo. When professional photographer LB Jefferies breaks his leg getting an action shot at an auto race he finds himself confined to his New York apartment until he recovers.

This film was rated number 42 on AFIs top 100 of the century sandwiched between Psycho 18 and Vertigo 61. Rear Window is an absolute masterpiece.

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